Workshops and Panels

We are excited to offer an amazing slate of music and dance workshops on Saturday April 18 at Celtic Junction in St. Paul. Workshops are included in Weekend, Supporter, Saturday All Day or Saturday Day passes. Some workshops require pre-registration in order to make sure there is enough room to accommodate everyone in the space. Those workshops are labeled below and you can register for them through Humanitix as part of the check out process for Weekend, Supporter, and Saturday passes (while space allows). All other workshops can accommodate larger groups and are first come, first serve for Weekend, Supporter, and Saturday passholders. See descriptions below!

Tickets available HERE!

Workshop Schedule

10 AM - 11 AM

Irish sean-nós dance - with Anna Lethert
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n this workshop, Twin Cities dancer Anna Lethert will demonstrate and teach Irish sean-nós dancing. Sean-nós (meaning ‘old style’) dance is a rhythmic and improvisational dance form from Ireland. It is often danced in casual or social settings, with steps danced close to the floor and with a relaxed body. Sean-nós dancers form a connection with the musician and improvise steps based on the tune they are playing. This class is perfect for those wishing to learn some basic rhythms and steps to dance along to Irish music, all levels are welcome. Please wear comfortable shoes for dancing, leather soled or tennis shoes, but please no tap shoes. 

All Ages Sing-a-long - with Laura Fritz *pre-registration required
Add your voice to a community singalong!  This family friendly, all ages, fun centered gathering will be led by Laura Fritz.  We'll sing a mix of familiar folk traditionals and new favorites.  Lyric songsheets provided, open to all, no experience required! Pre-registration available on kids and youth tickets.

Fiddle Rags - with Lindsay McCaw
Lindsay will offer up some of her favorite "raggy" tunes or "Country Rags" for listening and then teach one of them section by section with some variations if there is time.  Country Rags are tunes that have some signature syncopated licks and usually have a couple chords other than 1, 4 and 5.  If you think that you might like this kind of thing or you love it and want more of it, this is for you.  

Tips and Tricks for Learning Fiddle Tunes on Clawhammer Banjo - with Joe Johnson *pre-registration required Learn how to pick up fiddle tunes on the fly in this hands-on clawhammer banjo workshop with Joe Z. Johnson! We'll cover essential right and left hand techniques, basic rhythmic patterns, and practical strategies for quickly learning tunes by ear. You'll develop skills for catching melodies on the spot and adapting them to the clawhammer style. We may also explore common tunings and methods for continuing to build your ear and repertoire based on student interest. Taught by ear—bring recording devices! 

Doc Roberts Mandolin Tunes - with AJ Srubas *pre-registration required
In addition to being an amazing fiddler, Doc Roberts played a lot of fantastic mandolin blues and rags. In this workshop AJ will teach one or two of his favorites.

11:30 AM - 12:30 PM

Find Your Footing: Percussive Dance Improv - with Emily Doebler
This workshop invites you to play with rhythm, sound, and movement in a low pressure environment. With Ruby on fiddle, we'll pay special attention to the tune and let it inform the sounds and steps we create together. Comfortable dancing shoes recommended.

Square Dance Fiddling in the Missouri Ozarks: A Living Tradition - with David Scrivner *pre-registration required
While square dancing in the Ozarks shares commonalities with other dance communities, its peculiarities make it special. These quirks are the result of seemingly minor differences in our approach to dancing that have influenced the evolution of a distinct style of fiddling. In this workshop, we will explore some of these idiosyncracies, including tempo, tune selection, bowing technique, drive, and duration. We’ll focus on tunes prominent in Douglas, Ozark, and Taney Counties in Missouri from fiddlers such as Bob Holt, Lonnie Robertson, and H.K. Silvey, and we'll work on learning an Ozarks dance tune together. In Ozarks potluck fashion, everyone is welcome to attend. The tune we work on will be aimed at intermediate level fiddlers, and recording devices are encouraged. 

Old Time Rhythm Guitar - with Mason Herbold and Hawken Boldman
Come learn some tips and tricks for backing up fiddle tunes and songs on the guitar in an old time style, with a special focus on guitar styles of the Missouri Ozarks, where some great old time guitar players can be found.

Irish Songs for kids and their grown-ups - with the Center for Irish Music! *pre-registration required Explore the melodies, rhythms, and sounds of traditional Irish music at this interactive workshop with Alisa Mee, from the Center for Irish Music. Participants will sing, dance, play instruments, and learn fun, engaging children’s songs rooted in the Irish tradition. Pre-registration available on kids and youth tickets.

Irish Traditional Fiddle: Repertoire, Style & Context - with Danny Diamond *pre-registration required
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n this workshop, Danny Diamond will teach a selection of traditional tunes from his personal and family repertoire, which concentrates on orally-transmitted dance music from the North of Ireland. Danny will share the process of building a personal version of a tune within the Irish tradition, introducing participants to the core ornamentation, expression, and bowing techniques that define the sound of Irish fiddle music. Along the way, the group will listen to archival recordings, explore the social and historical contexts for the tunes we are learning, and discuss parallels and differences between the Irish and old-time traditions. 

Closed Chords for Old Time and Early Country Ukulele - with Grace van't Hof
*pre-registration required
Unlock your finger board with three easy closed chord shapes, and then use the Nashville Numbers System to easily transpose to any key! We’ll discuss how the different chord shapes fit together for ease of movement, and touch on sock-rhythm technique for playing rhythm behind fiddles.

1 PM - 2 PM

Dances from the 1920's - with Lindsay McCaw
Over several years of learning music from the teens and '20's, Lindsay McCaw found it was impossible not to notice some of the strange and wonderful dances that people did during that era.  Lindsay is not a dance scholar, just an everyday enthusiast of dance but she is willing to show you what she has learned in the spirit of fun-including some fun charleston variations, the scandalous turkey trot and more! Open to all, no dance experience necessary. (Editors note: you will definitely enjoy this workshop!)

Ireland and North American Song Connections - with Dáithí Sproule
From his repertoire and from recordings Dáithí Sproule will share versions of songs found in both the Irish and in North American traditions, ranging from the classic ballads brought over to the early colonies and still popular among Irish traditional singers to the cross-pollination of Irish and Oldtime/traditional music which continued through the 20th century, for example, in the music of the US folk revival and in the songs of Minnesota’s own Bob Dylan and with Irish folk groups such as Sweeneys Men and the Clancy brothers.

Métis Fiddle Tunes - with Ruby John
In this workshop we’ll learn a Métis fiddle tune, talk about rhythmic style of the tune and go over a little history on how Ruby came to learning Métis fiddle style. (Editors note: for those not familiar with the Métis, the historic Métis homeland covers a large geographic area across parts of what is now Ontario, Manitoba, Saskatchewan, Alberta, British Columbia, parts of the Northwest Territories, and the Northern United States, including Minnesota. Métis culture is a rich and diverse mixture of generational blending of First Nations (Nehiyawak, Nakoda, Saulteaux, Anishinaabe, and Dene Nations) and European (mainly French and Scottish) ways of life, featuring traditional music, such as fiddle playing and the lively Red River Jig dance, unique clothing styles, and deeply rooted customs in community, storytelling, and ceremony. Contemporary Métis communities continue to thrive throughout this region, maintaining traditions, and language. Métis fiddle traditions are an important part of Minnesota fiddle history, so we are very excited about this topic!)

Panel Discussion: Tradition and Innovation - with Danny Diamond, David Scrivner, and more TBA!
Join us for an interactive discussion about the evolution of musical and dance traditions with some smart minds working to keep these traditions alive and well in an ever changing world.

Fiddle Masterclass - with AJ Srubas *pre-registration required
Bring your fiddle questions and spend 8 minutes in the hot seat! Using a masterclass model that is popular at music camps, eight participants will each take a turn asking AJ whatever they want to ask about the fiddle/fiddling while the rest of the class observes and learns alongside the person in the hot seat. You can use your time in the hot seat in a variety of ways. Play something you’re having trouble with and ask for feedback. Play a recording of something you can’t figure out and see if AJ has any helpful ideas. Ask questions on tone or technique, repertoire, or stylistic approach - whatever you want to know! Open to all levels, from beginner and forward.


Fingerstyle Guitar Explained (clearly) - with Pop Wagner *pre-registration required
There are a lot of different things going on simultaneously in a finger style guitar arrangement. The thumb of the right hand is picking (usually in a downward direction) a steady rolling bass line on the lower strings. The index finger (and often other fingers as well) of the right hand is picking out (usually in an upward direction) a melody line on the higher strings. The fingers of the left hand are holding down a cord shape but also reaching for desired melody or bass notes that are not found within the cord shape. And this is all happening AT THE SAME TIME! Does this sound confusing? Never fear! Pop’s five minute “fingerstyle demo” frames all of this into a clearly understandable picture for you. For the remaining 55 minutes we will work on three or four fingerstyle pieces with the goal of having a full understanding of each piece so that you can continue to work on your own after the workshop.

Fingerstyle Banjo - Backing up fiddle tunes in the style of Charlie Poole with TBA *pre-registration required
In addition to clawhammer banjo styles there are many great finger style banjo techniques that players have used on songs and tunes through the ages. Come dive into one of those

2:30 PM - 3:30 PM

Ozarks Square Dances - with Bob Zuellig
Join Bob Zuellig for a workshop of fun learning as we explore selected traditional Ozark square dance sets as learned from the last remaining living legend of Ozark dance calling, Andy Elder. This workshop is perfect for callers and dancers of all experience levels looking to expand their bag of tricks and dance moves. We will learn to dance and call common figures nuanced with Ozarks flare as well as the details of several regional gems. Written materials will be provided. 

Early Country Harmonies - with Grace and Lindsay *pre-registration required
We love the harmony singing from early country recordings.  We will work on a song together and share some tips, tricks and secrets for making your harmony singing sound like the old recordings.  

Upper Midwest Fiddle Tunes Jam - with Mike Sawyer *pre-registration required
Join Mike Sawyer to play through some of the tunes in the Upper Midwest Folk Fiddlers tune book. This collection of tunes is the result of Mike’s research into the repertoire of Minnesota and Wisconsin fiddlers.

Fiddle tunes we learned from Al Murphy
For this year’s happy hour jam we will be celebrating the tunes shared with us by the great Iowa fiddler and teacher Alan Murphy. This workshop will go over some of the tunes that we’ll play in the jam.

Irish Guitar Styles and Approaches - with Dáithí Sproule *pre-registration required
Join one of the masters and founding fathers of Irish guitar playing to learn about different approaches to playing guitar in Irish music, including using both standard and DADGAD tunings, flat picking and finger picking, chord choices, and other elements.


Old Time Harmonica - with Calvin Woodring *pre-registration required
As a lead melody instrument or a counterpart to the fiddle, the harmonica adds rhythmic drive and a unique texture to old-time music in many styles. This workshop will cover the fundamentals of playing tunes in first position (aka “straight harp”), including embouchure for single-note playing, tongue-blocking, bends, and breath control. We’ll combine these techniques to learn a new tune or two. Participants should bring a standard 10-hole harmonica in the key of C.